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How to replace a dull sky in an exterior listing photo

The house looks great but the sky was flat grey the day you shot it. Sky replacement swaps just the sky for a clear blue, golden hour, or dramatic cloudscape, keeping the same time of day. Here's exactly how it works.

Last updated
July 2, 2026
Read
5 min

You get one shot at the exterior, and the weather doesn't always cooperate. A blown-out white sky, flat overcast grey, or a washed-out haze can make an otherwise sharp listing photo look lifeless. Reshooting means driving back and waiting for a better day. Sky replacement fixes it in place: it swaps the sky for a clear blue, a golden-hour glow, or a dramatic cloudscape, and leaves the house, the yard, and the composition exactly as they were.

What sky replacement does

Sky replacement swaps the visible sky on an exterior shot and nothing else. In the mode picker it's described as "Swap the sky on an exterior — clear blue, golden hour, more." It finds the sky region, replaces it with the look you choose, and optionally re-lights the building so the ambient light matches the new sky. The horizon line, the rooflines, the trees, and everything below the skyline stay put.

Unlike Twilight, it keeps the same time of day. A grey afternoon becomes a bright blue afternoon, not a dusk scene. It's the conservative fix for when the photo is fine but the weather wasn't.

It works on exteriors and any shot with sky in frame, façades, yards, pools, streetscapes, balconies. You can run it on a fresh upload, on a photo already in your project, or on a shot you've already worked on.

Sky replacement is a Pro feature.

Choose a sky

Sky replacement has six styles, picked from the Style control in the command bar. They run from the safe, believable upgrade to the full dramatic hero:

  • Clear Blue — a bright, cloudless cobalt sky. The MLS default.
  • Soft Clouds (default) — a friendly mid-day blue with wispy cirrus and a few light cumulus. The most natural-looking swap.
  • Dramatic Clouds — big puffy cumulus with strong volumetric shape and contrast against deep blue.
  • Golden Hour — a warm peach-to-amber horizon graduating into a soft lavender sky, with low warm side-light across the scene.
  • Sunset — a saturated orange-to-magenta horizon with streaky high clouds catching the last light, deep blue overhead.
  • Overcast Soft — a subtle, uniform soft grey. The believable upgrade when a blown-out or patchy sky just needs evening out rather than a blue-sky swap.

Here's the same exterior with a flat original sky, then run through a few of the styles:

The original exterior with a flat, dull sky before replacement

Clear BlueThe MLS default
Soft CloudsMost natural-looking
Golden HourWarm side-light

Fine-tune the result

Alongside the style, two pickers and two toggles let you dial the sky in.

Clouds sets how much cloud fills the sky, independent of the style:

  • None — pure gradient, no clouds.
  • Light (default) — a few scattered, well-spaced clouds.
  • Heavy — substantial coverage filling much of the frame.

The Clouds picker showing None, Light, and Heavy density options

Warmth biases the overall colour cast of the shot:

  • Cool — a slight cool cast, around 5500K.
  • Neutral (default) — true to a real photograph.
  • Warm — an inviting golden cast, around 4000K.

The Warmth picker showing Cool, Neutral, and Warm presets with Neutral selected

Then two toggles control how far the change reaches below the skyline:

  • Match lighting (on by default) — re-lights the building, foreground, and landscaping so the ambient light, shadow direction, and colour cast match the new sky. Turn it off to keep the existing lighting on the house exactly as it was in the original.
  • Preserve foreground — locks every pixel below the skyline. The building, ground, trees in front of the horizon, vehicles, and signage stay byte-identical, only the sky changes.

How to use it

  1. Switch to Sky mode

    In the staging command bar, open the mode picker and choose Sky (the cloud icon). It sits alongside Stage, Declutter, Twilight, and Perspective. Sky replacement requires a Pro plan.

    The staging mode picker with Sky selected

  2. Pick a style, clouds, and warmth

    Open the Style pill and choose one of the six skies. Then set Clouds and Warmth if you want to nudge the coverage or colour cast. All three default sensibly (Soft Clouds, Light, Neutral), so you can leave them alone for a natural swap and adjust only for a specific look.

    The Style picker showing the six sky options with swatches

  3. Set the lighting toggles

    Decide how much of the building should react to the new sky. Leave Match lighting on for a cohesive result, or turn it off and switch on Preserve foreground to change only the sky and leave the house untouched.

    The Match lighting and Preserve foreground toggles in the command bar

  4. Generate

    Click Replace sky. The result saves to the room's timeline. The sky and, if you left Match lighting on, the ambient light change; the building, landscaping, horizon line, and composition stay exactly as they were.

Revisions are free

If the first pass isn't quite right, that the sky is too heavy, the clouds sit wrong, or the building looks over-lit, run a sky revision with a short note describing what to change. Revisions don't use credits, so you can try a different style, adjust the clouds or warmth, or make a small tweak until it lands.

Sky replacement vs twilight

Both modes touch the sky, but they're for different jobs:

  • Sky replacement swaps only the sky and keeps the daytime lighting, so a grey overcast sky becomes a clear blue one without changing the time of day.
  • Twilight converts the whole scene to dusk: dusk sky, interior and exterior lights on, warmer colour. Use it for the glowing hero shot.

Reach for sky replacement when the photo is fine but the weather wasn't; reach for twilight when you want the dusk showpiece.

Limits

Next steps